An ongoing discussion of conducting-related matters, from score study to sports, from craft to cuisine. And how and when to stop beating!
Must read books!
- Advice for Young Conductors - Weingartner
- Anatomy of the Orchestra - Del Mar
- Brigade de Cuisine - John McPhee
- Heat - Bill Buford
- Poetics of Music - Stravinsky
- Tao Te Ching - Lao Tse
- The Composer's Advocate - Leinsdorf
- The Modern Conductor, 7th Edition - Green/Gibson
- The Score, The Orchestra and The Conductor - Gustav Meier
- Zen in the Art of Archery - Herrigel
Friday, September 10, 2010
Bar 4 - Back to teaching
Was working with a new student this morning on Schubert Unfinished. Same methods; phrase length, harmonic analysis, are the 16ths on or off the string? If it were an art song, what would the text be for the opening phrase in the vcl/cb? I got on the subject of YouTube. Does watching a video of Riccardo Muti conducting ANYTHING really help us on the podium? I compared it to watching TV in Beijing; I see people acting, I see their mouths moving and hear sounds emerging from them, but I have no idea what they are saying. Maestro Muti is speaking a language that we don't understand, as much as we might like to and as much as we might believe we do. Our time is, as always, better spent studying a score ourselves and establishing our own relationship with a composer. Learning and acquiring some sense of taste and style. As I suggested to my student today, there is no "right" or 'wrong' way; there is only informed and less-informed taste. How does one acquire taste?
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment